I continue be amazed and delighted with even the smallest of vegetarian reference in movies and TV shows. This week, three movies in a row chimed in with a nod to the veg-friendly.
1. Mrs. Palfrey at the Claremont:
When a widowed, aging, Mrs. Palfrey decides to check in to a London hotel for a bit, the concierge checks her in as normal, asking her all the basics and detailing the for her the hotel’s schedules and rules. He begins to tell her about meals, then stops abruptly. “You’re not (*pause*) a vegetarian … are you?” he asks. She bumbles over a quick, “No. no…” And then he responds: “Good. Because we don’t cater to them.”
2. Blue State: While working on the Kerry campaign in 2004, John declares that he will move to Canada if Bush wins. Since you know how that election turned out … John heads to Canada with Chloe, a woman who responded to his ad for a traveling companion. As they head off on their journey, John is explaining how he has the whole trip planned out, step by
overly detailed step. But then, just as the concierge in Mrs. Palfrey did, he stops. “Wait. Are you vegetarian?” he asks Chloe. “No! Why, are you?” Chloe responds. “Of course!”
Later in the film, I was at first taken back when John sleeps under a buffalo-skin blanket. But then I thought, being a passionate political man, the character is probably vegetarian for global warming, avoidance of big business, and other Democratic reasons. He is not an animal rights person.
3. No Reservations: Netflix has pegged me as a fan of food-related films. I thought this odd at first: Do I really enjoy watching meat being prepared alongside my romance tales? But
this movie reminded me why I like them: There is always a animal rights or vegan reference.
In No Reservations, the chefs are in a hustle and bustle mode and become flustered and enraged when a patron sends back a foie gras entree, declaring it improperly cooked. A food staff woman on the peripheral adds, in a sing-songy voice, “Foie gras is cruelty to animals.”
I just love being acknowledged and knowing that the thought was put into other viewers’ minds, regardless of whether it is slanted toward the positive or negative outlook.